Concerts

La del manojo de rosas (The girl with the bunch of roses)-2010-2011
June 22 – 23 – 25 – 26 – 28 – 29 th, 2011
Libretto: Francisco Ramos de Castro and Anselmo C. Carreño
Musical direction: Josep Caballé-Domenech
Stage direction: Emilio Sagi
Stage design: Gearardo Trotti
Wardrobe: Pepa Ojanguren
Lighting: Eduardo Bravo
Choreography: Goyo Montero
Cast: Sabina Puértolas, David Menéndez; Luis Varela…
Orchestra: Bilbao Symphony Orchestra
Choir: Rossini Choir
Production: Campoamor Theatre, Oviedo
DATES
- 22 June 2011 Teatro Arriaga 20:00 h.
- 23 June 2011 Teatro Arriaga 20:00 h.
- 25 June 2011 Teatro Arriaga 20:00 h.
- 26 June 2011 Teatro Arriaga 20:00 h.
- 28 June 2011 Teatro Arriaga 20:00 h.
- 29 June 2011 Teatro Arriaga 20:00 h.
Venta de abonos, a partír del 24 de junio.
Venta de entradas, a partir del 16 de septiembre.
Meet here all the advantages of being BOS subscriber
‘The girl with the bunch of roses’ was first performed in Madrid at the Fuencarral Theatre in 1934, a Tuesday the thirteenth. It is a lyrical farce in two acts set in the square of a Madrid neighbourhood.
As its author Pablo Sorozabal states in his autobiography ‘My life and my work’: “… that a Basque educated in music in Germany… seeks to write a farce in two acts with the action taking place on the same date as the opening night… that does not enter anyone’s head.” Remember that three years previously, the Second Republic had been declared. However, this story about a florist, proud of her working class background, who was being courted by a mechanic and a pilot, which also features a manicurist, a scrap iron merchant and a waiter, nicknamed “the walking encyclopaedia” due to his verbal diarrhoea, enjoyed immediate and absolute success, that endures today.
This production, which is produced by the Campoamor Theatre, is stage directed by Emilio Sagi, grandson of Emilio Sagi Barba and nephew of Emilio Sagi Vela, both great baritones, the first the impresario of the Fuencarral Theatre and the second the actor who played Joaquín, the mechanic in love, in 1934.
Calendar of Events
Related events

Cámara 6
Place: Euskalduna Palace
Grandes solistas en recital
Bomsori, violín
Thomas Hoppe, piano
I
WOLFGANG AMADEUS MOZART (1756 – 1791)
Sonata nº 17 para violín y piano en Do Mayor K. 296
I. Allegro vivace
II. Andante sostenuto
III. Allegro
LUDWIG VAN BEETHOVEN (1770 – 1827)
Sonata nº 7 para violín y piano en do menor Op. 30
I. Allegro con brio
II. Adagio cantabile
III. Scherzo: Allegro
IV. Finale: Allegro – Presto
II
CÉSAR FRANCK (1822 – 1890)
Sonata para violín y piano en La Mayor
I. Allegretto ben moderato
II. Allegro
III. Ben moderato: Recitativo-Fantasia
IV. Allegretto poco mosso
KAROL SZYMANOWSKI (1882 – 1937)
Nocturno y tarantela Op. 28
Dur: 95’ (aprox.)

Conciertos en familia. Mythos
Place: Palacio Euskalduna. Bilbao
Abraham Cupeiro nos transporta a través de las mitologías árabes, célticas, romanas y griegas en su innovador proyecto, Mythos.
Este espectáculo cautivador nos sumerge en mundos y ciudades perdidas en el tiempo, desenterrando los misterios de enclaves ancestrales como la enigmática Atlantis. Recuperando instrumentos que resuenan en los teatros griegos, circos romanos y cuevas olvidadas en los confines del mundo, Cupeiro ofrece un viaje musical único a través de historias creadas desde tiempos inmemoriales, buscando encontrar una lógica al origen del universo.
Compañía: Abraham Cupeiro + Bilbao Orkestra Sinfonikoa BOS
Director: Dimas Ruiz Santos
Palacio Euskalduna Jauregia • Sala 0B Aretoa
A partir de 6 años
Castellano
Duración: 75’
Precio de las entradas:
– General 10,50 €
– Abonados y abonadas BOS 9,50 €*
* La compra con descuento para personas abonadas solo puede hacerse en la “zona personal” de web, o en taquilla.

La ley del silencio
Place: Euskalduna Palace
El excelente Wayne Marshall ofrece un programa dedicado a los dos compositores sobre los que ha sentado cátedra, tanto desde el piano como desde la dirección: Gershwin y Bernstein. Desde el piano dirigirá la Segunda Rapsodia, más infrecuente que la célebre in blue, y de Bernstein el Divertimento y su primera y emocionante partitura para el cine: la música que Elia Kazan le pidió para la imponente On the Waterfront.
Wayne Marshall, piano y director
I
IAIN FARRINGTON (1977)
A party with Auntie *
W1A/Animal Magic (This is Las Vegas) – Blackadder – I’m Sorry I Haven’t a Clue (The Schickel Shamble) – Have I Got News For You – Panorama – BBC News – Antiques Roadshow – University Challenge – Ski Sunday (Pop Looks Bach) – Match of the Day – Cricket Theme (Soul Limbo) – Dr Who – Strictly Come Dancing – The Archers (Barwick Green) – Eastenders
GEORGE GERSHWIN (1898 – 1937)
Segunda rapsodia para piano y orquesta*
Wayne Marshall, piano
GEORGE GERSHWIN (1898 – 1937) / ROBERT RUSSELL BENNETT (1894-1981)
Gershwin in Hollywood*
The back bay polka (The Shocking Miss Pilgrim) – A foggy day (A Damsel in Distress) – Slap that bass (Shall We Dance?) – Love walked in (The Goldwyn Follies) – Nice work if you can get it (A Damsel in Distress) – One, two, three(The Shocking Miss Pilgrim) – Love Is here to stay (The Goldwyn Follies) – They can’t take that away from me (The Barkleys of Broadway)
II
LEONARD BERNSTEIN (1918 – 1990)
Divertimento para orquesta
I. Sennets and Tuckets
II. Waltz
III. Mazurka
IV. Samba
V. Turkey Trot
VI. Sphinxes
VII. Blues
VIII. In memoriam; March: “The BSO forever”
On the Waterfront, Suite sinfónica*
*Primera vez por la BOS
Dur: 100’ (aprox.)

Musika-Música | Nº1
Place:
SOCIEDAD CORAL DE BILBAO
ENRIQUE AZURZA director
BILBAO ORKESTRA SINFONIKOA (BOS)
ERIK NIELSEN director
R. Wagner: El holandés errante, obertura
P. I. Chaikovski: El lago de los cisnes, suite
A. Borodin: Danzas polovtsianas de «El príncipe Igor»